|
Pg. 1 | Pg. 2 | Pg. 3
Cover: Alister Pearson (1990)
This was the last of the Hartnell stories to be novelised. Terrance Dicks
produced an unusually short, 112 page novelisation, despite his inclusion of
some sequences cut when Louis Marks' original four part story lost an episode
of material prior to transmission. The cover was painted by Alister Pearson,
and was Terrance Dicks' penultimate Doctor Who novelisation. The cover
featured the McCoy logo and a grey spine and back cover. There was no hardback
edition and the only paperback edition was published 18 January 1990, priced
£1.99, with a print run of 22,000 copies. The book was number 145 in the
Doctor Who Library.
Covers: Chris Achilleos (1977; 1977-84); Alister Pearson (1990)
Cover artist Chris Achilleos based his painting on the film Daleks Invasion
Earth 2150 AD rather than on the television story. The text however, is
faithful to the small screen version, albeit with sections trimmed from Terry
Nation's story to come within the 144 page limit. According to the title page
the book is based on a serial called 'Doctor Who and the World's End' - which
is derived from the title of the story's first episode. The cover originally
featured an orange 'curve' logo and white spine and back cover. The book was
simultaneously published in hardback and paperback 24 March 1977. The hardback
edition was priced £2.50, with a print run of 3,000, and the paperback
edition was priced 50p, with a print run of 30,000 copies. The hardback was
reprinted as a 'second impression' in 1978, priced £2.95, with a print run
of 1,500. The paperback was reprinted 1977 (60p), 17 August 1978 (70p, 'Second
Impression', print run 5,800), 1979 (70p, 'Second Impression', print run
15,000), 1980 (85p, 'Third Impression', print run 12,000), twice in 1982
(£1.25), 1983 (print run 20,000) and twice in 1984 (£1.35 and
£1.50). The curve logo colour changed from orange to blue for the second
edition in 1977. Subsequent editions featured the blue curve, except from the
first 1984 edition which apparently had a red curve logo. Later editions were
numbered 17 in the Doctor Who Library. The book was re-issued August 1990,
priced £2.50, with a print run of 5,000 copies by Virgin with a new cover
design using Alister Pearson's painting for the BBC Video release, the McCoy
logo and a blue spine. This edition was retitled Doctor Who - The Dalek
Invasion of Earth. The novelisation was also included in a hardback called
Doctor Who - Dalek Omnibus, which was a collection of three Dalek
novelisations all by Terrance Dicks. This book was published 23 June 1983,
priced £6.95 with new cover artwork by Andrew Skilleter based on The Dalek
Invasion of Earth. The novelisation was again reprinted in a compilation,
this time paired with David Whitaker's The Crusaders, in the first
volume of the Doctor Who Classics series, published in paperback by Star
Books on 18 August 1988, priced £2.95. The cover artwork for The Dalek
Invasion of Earth was Andrew Skilleter's artwork from the cover of the
hardback Dalek Omnibus.
Cover: Tony Clark (1988)
Ian Marter died 29 October 1986, and in the two months prior to his death he
wrote this, his last novelisation. Editor Nigel Robinson offered him the David
Whitaker story to do as a 'reward' for novelising the movie Tough Guys in just
nine days. Marter died before completing work on The Rescue. He had written the
entire book and had revised about two thirds of it. Nigel Robinson revised the
last third and took the unusual step of writing an Editor's Note to go in the
front of the book as a tribute. Ian Marter expanded on the two-part story quite
considerably, adding in the subplot of an Earth mission approaching the planet
and several other extensive sequences which had not been present in the
original story so the resulting 144 page book was longer than many four-part
story adaptations. The cover was painted by first time Target cover artist Tony
Clark who had sent in several cover ideas before gaining this commission. The
cover featured a red neon logo and a green spine and back cover. The book was
first published in hardback 20 August 1987, priced £7.95. The only
paperback edition was published 21 January 1988, priced £1.95, with a
print run of 25,000 copies. The book was number 124 in the Doctor Who
Library.
Cover: Tony Masero (1987)
This was the third and last of Donald Cotton's novelisations, and was the only
one not based on one of his own scripts. Cotton was an obvious choice for the
task of adapting Dennis Spooner's comedic historical adventure, as his previous
books had both been very humorous. The novelisation rates as one of the most
unusual in its style of presentation in that the entire 128 page book is a
collection of letters and journal entries written in the first person from the
perspective of various characters including Ian Chesterton in his journal, the
Doctor in his diary, legionary Ascaris in a series of letters to his mother,
Poppea Sabina in her Commonplace Book and Emperor Nero himself, amongst others.
Many scenes were added, deleted or altered radically in the process, making it
possibly the novelisation which deviates most from the story on which it is
based. The book is dedicated to Ann Wood. The cover, painted by Tony Masero,
featured a purple neon logo and a pink spine and back cover. The book was first
published in hardback 16 April 1987, priced £7.50. The only paperback
edition was published 19 September 1987, priced £1.95, with a print run of
30,000 copies. The book was number 120 in the Doctor Who Library.
Covers: Chris Achilleos (1973-76; 1978-90); Alister Pearson (1991)
Bill Strutton novelised his one six-part story The Web Planet as
Doctor Who and the Zarbi, taking about three weeks to produce the
adaptation, and based his 178 page novelisation very closely on the television
episodes, even to the extent of matching the six chapters to the episodes, and
the chapter titles to the episode names, except for the last, which changed The
Centre to 'The Centre of Terror'. Strutton, like fellow noveliser David
Whitaker, called the main character 'Doctor Who' and gave the name of the
Doctor's ship as Tardis. The book has fifteen sketch illustrations by John Wood
throughout the text. The original novelisation was published in hardback by
Frederick Muller Ltd on 16 September 1965, priced 12s 6d, with a cover by John
Wood. The hardback was not reprinted by Muller and prior to Target there were
no paperback versions of this title. The first Target cover was painted by
Chris Achilleos, who wanted to paint elaborate giant ants but was directed by
the BBC to remain faithful to the look of the television story. The cover
originally featured a black 'block' logo and orange spine and back cover. The
first paperback edition was published 2 May 1973, priced 25p, with a code
number of 10129 (which was part of the ISBN) on the spine. The first edition
also featured the line 'Based on the popular BBC television serial' on the
front cover. Both this line and the spine number were dropped from later
editions. A hardback version was also issued 2 May 1973, with a print run of
49,000. The paperback was reprinted with block logo and orange spine and back
cover in October/November 1973, January/February 1974, November 1974 (30p),
1975 (30p, 'Second Impression'), 1975 (40p, 'Second Impression'), 1975 (40p,
'Reprinted Autumn'), 1975 (60p) and January 1976 (40p). The cover was then
redesigned, retaining the original Chris Achilleos artwork, but featuring a
black curve logo and a white spine and back cover. With this look, the book was
reprinted in 1978 (60p, 'Second Impression', print run 10,000), 17 August 1978
(70p, 'Third Impression', print run 4,000), 1979 (70p, print run 12,000), 1981
(90p, 'Fourth Impression', print run 15,000), 1982 (£1.50), 1984
(£1.50) and November 1990 (print run 5,000). From 1984 editions were
numbered 73 in the Target Doctor Who Library. The book was re-issued 17 January
1991, priced £2.50, with a print run of 3,000 copies by Virgin with a new
cover design using Alister Pearson's painting for the BBC Video release, the
McCoy logo and a blue spine. This edition was retitled Doctor Who - The Web
Planet. The John Wood interior illustrations appear in all editions.
Covers: Chris Achilleos (1973-78; 1979-80); Andrew Skilleter (1982-88)
David Whitaker's first novelisation, Doctor Who and the Daleks, proved
to be a success so Frederick Muller Ltd asked him to write a second book.
Whitaker chose to adapt one of his own stories, The Crusade, writing the
novelisation in 1965, the same year as the story was broadcast. Whitaker
invented a prologue set aboard the TARDIS. This section explained Susan's
absence and also referred to an unseen adventure involving talking stones on
the planet Tyron. The adaptation closely follows events on screen for the first
three episodes, with some scenes reorganized to create longer sequences,
however the fourth and final episode is told very differently in the book. The
book was first published 25 February 1966 (the year is wrongly stated in many
editions as 1965) by Frederick Muller Ltd, with fifteen sketch illustrations
and cover art by Henry Fox, priced 12s 6d. Dragon Books issued a paperback
edition in 1967 by, featuring cover art and six interior illustrations by an
unknown artist. The catalogue number was D67, part of the 'Green Dragons'
range, and priced 2s 6d. A hardback edition was issued 2 May 1973, with a print
run of 51,500. The first Target paperback edition was published 2 May 1973,
priced 25p, with a code number of 10137 (which was part of the ISBN) on the
spine. The first edition also featured the line 'Based on the popular BBC
television serial' on the front cover. Both this line and the spine number were
dropped from later editions. The cover artwork was painted by Chris Achilleos
and featured a black 'block' logo and red spine and back cover. The fifteen
sketch illustrations by Henry Fox were retained throughout the Target editions.
The book was reprinted with block logo and red spine and back cover in
October/November 1973, January/February 1974, November 1974 (30p), 1975 (30p,
'Second Impression'), 1975 (40p, 'Reprinted Autumn'), January 1976 (40p) and
1978 (70p, print run 5,500). The cover was then altered, retaining the original
Chris Achilleos artwork, but featuring a red/brown curve logo and a white spine
and back cover. With this look, the book was reprinted 24 May 1979 (70p,
'Second Impression', print run 15,000) and again in 1980. A new cover painting,
by Andrew Skilleter, first appeared in 1982 with a red neon logo, and a white
spine and back cover. There were two 1982 printings, priced £1.35 and
£1.50 respectively, the latter having a print run of 19,000. The book was
reprinted in 1983, this time with a blue spine and back cover, published 20 Oct
1983 (£1.50). The Andrew Skilleter artwork with a red neon logo and a blue
spine and back cover appeared on further printings in 1984 (£1.50) and
1988 (£1.50, print run 2,500). From 1983 the book was numbered 12 in the
Doctor Who library. (There are unconfirmed reports of a couple of cover
variations: the first 1982 edition apparently featured the red/brown curve logo
over the Andrew Skilleter artwork; there was also apparently another 1983
edition, priced £1.50, that reverted to the Chris Achilleos cover artwork
and red/brown curve logo). A hardcover edition with the Andrew Skilleter cover
and red neon logo was published 17 January 1985, priced £5.95. The book
was reprinted in a compilation, paired with Terrance Dicks' The Dalek Invasion
of Earth, in the first volume of the Doctor Who Classics series,
published by Star Books 18 August 1988, priced £2.95. The back cover
featured Andrew Skilleter's artwork for The Crusaders.
Cover: David McAllister (1987)
When Glyn Jones was contacted about a novelisation of his only Doctor Who story
he elected to undertake the adaptation himself. Jones expanded on the story,
developing backgrounds for the characters and adding in an element of comedy,
as well as creating a robot called Matt and a universal translator, which did
not appear in the television version. In his original manuscript, Jones refers
to Vicki as Tanni (which was the original name for the character). The cover,
painted by David McAllister, featured a red neon logo and a black spine and
back cover. The book was first published in hardback 15 January 1987, priced
£7.25. The only paperback edition was published 18 June 1987, priced
£1.80, with a print run of 32,500 copies. The book was number 117 in the
Doctor Who Library though unusually the number was omitted from the
spine of the book.
Covers: Alister Pearson (1989; 1991)
This was the first new Dalek novel in almost exactly a decade, and sales of
this book were consequently very high, creating an almost immediate demand for
a reprint. Ex-patriot British fan writer John Peel, now living in America, had
befriended Terry Nation, who suggested that Peel should novelise The Daleks'
Master Plan. In negotiations with Target, it was decided that it would be
preferable to novelise The Chase first. Nation provided Peel with his
copies of the original, unedited scripts, which Peel considered superior to the
TV version, and so elected to work primarily from these, cutting and changing
some sections of the story which he regarded as inferior on screen. Peel
altered the Marie Celeste and Empire State Building sequences, and foreshadowed
his forthcoming adaptation of The Daleks' Master Plan by mentioning that
the Daleks' taranium power source for their time craft. Peel highlighted the
reasons behind some of his changes in an Author's Note at the front of the
novel. The cover was painted by Alister Pearson and featured the McCoy logo and
a white spine and back cover. There was no hardback version and the first
paperback edition was published 20 July 1989, priced £1.99, with a print
run of 24,000 copies. The book was number 140 in the Doctor Who Library. The
book was reprinted later the same year and was re-issued again 18 July 1991,
priced £2.50 with a print run of 5,000 copies. The reissue featured a new
cover design reusing Alister Pearson's painting and a blue spine.
Covers: Jeff Cummins (1988; 1992)
This was Nigel Robinson's second novelisation and he chose this one because it
was one of his all-time favourite Doctor Who stories. In novelising
Dennis Spooner's original scripts Robinson toned down the comedy aspects to
create a book with darker tones and also included a prologue to tie it into The
Chase, the novelisation of which had not yet been commissioned at the time
that this book was written. The cover painting was by Jeff Cummins, with a red
neon logo and a blue spine and back cover. Cummins was a former regular Target
Doctor Who cover artist who had last contributed to the range almost a
decade earlier. The book was first published in hardback 15 October 1987,
priced £7.95. The first paperback edition was published 17 March 1988,
priced £1.99, with a print run of 22,500 copies. The book was number 126
in the Doctor Who Library. The book was re-issued at short notice in May
1992, priced £2.99, to tie-in with the BBC2 repeat of the serial (as noted
on the cover). Because there was no time to commission new cover art, Jeff
Cummins' artwork was reused, but printed in reverse, with the McCoy era logo
and a blue spine.
Pg. 1 | Pg. 2 | Pg. 3
|